• Columnas Columnas
  • C-CAM drivers C-CAM drivers
  • Ribbon Tweeter Ribbon Tweeter
  • Dimensiones del altavoz 2 x BASS 8in
  • Dimensiones del altavoz MID 4mm
  • Huella 410mm x 470mm
  • 3-way 3-way


PL300 trcnología
  • Dos puertos bass-reflex con tecnología HiVeII
  • Altavoz de medios montado en un recinto hermético TLE (Recinto Lineal Terminado en Punta)
  • 2 altavoces de graves con cono de C-CAM (Aleación de Magnesio y Aluminio Revestida de Cerámica) de 203 mm (8”) y tecnología RDT (Tecnología de Diafragma Rígido) diseñados para realizar grandes desplazamientos
  • 1 altavoz de medios de 102 mm (4”) con tecnología RDT
  • 1 tweeter de cinta de C-CAM
  • Panel frontal, base (plinto) y recinto del altavoz de medios fabricados en ARC (Material Compuesto Anti-Resonancias)
  • Recinto con panel frontal revestido a mano en piel negra Ingleston de la máxima calidad
  • Acabados disponibles: chapa de Rosal Santos con lacado negro piano, chapa de Ébano con lacado negro piano y Negro Piano




Respuesta en Frecuencia

28 Hz - 100 KHz

Sensibilidad (1W@1m)

90 dB

Impedancia Nominal

4 Ohmios

Nivel de Presión Sonora Máximo (por pareja y en salas estándar)

118.6 dBA

Potencia Admisible (RMS)

300 W

Potencia del Amplificador Asociado (RMS)

100 - 300 W

Configuración de Graves

Bass-reflex (dos puertos) con tecnología HiVe II


Altavoz de medios TLE en recinto hermético

Frecuencia de Corte Superior

4000 Hz

Frecuencia de Corte Inferior

550 Hz

Altavoces Utilizados

2 woofers de 8" con tecnología RDT
1 altavoz de medios de 4" con tecnología RDT
1 tweeter de cinta de C-CAM 

Dimensiones Externas - (base fija y pies incluidos) (Al x An x P)

1113 x 410 x 470 mm
(43 13/16 x 16 1/8 x 18 1/2 pulgadas)

Peso (unitario) incluyendo la base

43.8Kg (96.4 libras)

Críticas de los usuarios

David Ferebee Monitor Audio UK


January 2015

Get Out Of The Way Wilson, Dynaudio, B&W, and Others

I am always looking to improve everything about my sound system including the speakers and have auditioned brands costing 3 times as much as my PL300s and simply cannot find anything I like better!

Luke Fehnert Monitor Audio UK


November 2013

I have owned these speakers for 2 years now and they sound better and better. I suggest you use a good powerful valve amp with them to bring out their best form.

Robert Lappin Monitor Audio UK


September 2013

Our rosewood PL300s look absolutely fantastic on our burgundy axe minster carpet and next to our solid red gum entertainment unit. Our PL300s are used as the sound for our internet services, 55 t.v., DVDs, vinyl recordings and CDs. Despite the massive mid and upper massive bass performance our ears tell us that its the PL300's brilliant tweeter and its precise mid-range that makes film, songs and voice so life-like. Sadly our listening room just isn't big enough to do full justice to the deepest bass notes; in our home they seem a little muted.

Manbat - AV Forums UK Monitor Audio UK


March 2013

Its alive - it really is. I have just enjoyed a rather sublime several weeks with the PL300s.
I can safely say that the PL300s are without a doubt marvelous speakers.
They bring out instruments in a three dimensional soundstage, revealing obvious differences and nuances that have not been heard before.

David Bowie - Sound and Vision - the rhythmic sound of the pss pss emanating from the front left speaker is like nothing I’ve heard before – its like the speaker is spitting at you (in a good way)

Angelique Kidjo – Voodoo Child from the album Oremi – is simply stunning. There are so many things going on in this recording and you hear them all. Little whispers are abound in the track – but now I hear them in places that I didn’t think were in the recording. This is one of my test tracks and having listened to this on systems costing several times the value of my own – I give the PL’s a standing ovation. I listened to this track recently on some B&W 802d's with very expensive mono-blocks, cables, CD player - the PL300s easily held their own and IMO outperformed the 802’s in detail and clarity.

Fink – Perfect Darkness – Again an array of detailed instruments with precise imaging.

Elbow - live DTS recording is again brilliant.

A selection of HD tracks in 24 bit 192 consisting of Jazz, classical and pop. The timbre of drums and vibration of strings is lovely – but what is also remarkably impressive is the ambience of the sound – the presence of music that you feel and sometimes makes the hair on the back of your head stand on end.

A selection of Linn SACD samplers – were superb.

Movies – I watched the three Dark Knight films in a row. Nearly 8 hours later there was no ear fatigue and I just kept creeping up the sound to thunderous levels and enjoyed it even more.

I can’t say a bad word about these speakers. They are simply brilliant and if you are considering do not forget to audition them...

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